Don't BreatheDon’t Breathe, the new horror movie from the guy that brought you the Evil Dead reboot, has a very fast, very brutal new trailer to shudder over. Don’t try and use to it figure out the plot (we’re not sure there is one), but you will be able to discern a few things:

It’s long on ‘scary,’ short on ‘story.’ Like a whole slew of haunted house and trapped-somewhere movies of recent vintage, many from the likes of Eli Roth and James Wan. it’s all about the scare, the jump, and not about … well, very much else.

It’s very familiar. In some ways, Don’t Breathe is a lot like a 1950’s Western, or eating at McDonald’s: it may not be very good, but at least it’s familiar, and sometimes familiar is all you want. The imagery, the concept, the pow-pow-pow pacing. If you’re looking for surprises – other than the bad guy jumping out of that shadow right there – look elsewhere. This is deja vu all over again.

You know the people, too. All too well. One of the fun things about the low-budget indies in the genre is the newess of it all — the presence of new, fresh faces. But not here. You’ll recognize both the characters (the spunky college girl, her dreamy boyfriend, their eerie nemesis – a blind guy, even!) and the actors playing them. Here you’ve got the girl from the Evil Dead remake and the cute boy from Goosebumps vs. the badass general from Avatar. Hell, they could have called it Suburgatory II: The Torturing and just closed the circle completely.

Even the title is strangely familiar: Don’t Breathe, Don’t Blink, Don’t Be Afraid of the Dark, and whatever you do Don’t Look in the Basement.

Take a look and see if you don’t agree:

… and if you don’t, drop us a note below, or here on Facebook, or here on Twitter and tell us what we’re missing.


Gale Anne HurdSo Gale Ann Hurd has found the director for her long-anticipated new horror tentpole, Hellfest. It’s Jennifer Lynn Chambers, who’s actually been directing TV episodes for most of the last five years, and didn’t have a big theatrical hit even before that. And what’s the premise of the ground-breaking new franchise? Hold on to your hat:

The film follows a fun Halloween night at a horror theme park gone deadly when a costumed killer begins taking out unsuspecting revelers who believe the killings are part of the show.

A costumed killer. On Halloween. In an amusement park. Killing teens one by one.

No. Please stop. Too many surprises. Too much innovation. My heart  can’t take it.




Thank you, Alice. May we have another?

The latest – and apparently the last – of the Resident Evil franchise just released a new trailer. This one’s called The Final Chapter, and we’re once against returning to the new completely ruined Raccoon City and its hordes of icky but still fast zombies. There’s the evil cyber-girl, the amazing stunts and by far the most important: Milla Jojovich.

And really, doesn’t anything else matter? Milla Jovovich.

The film series hasn’t even resembled the video game franchise since very early on; plots and consistency have never been RE‘s strong suit (how many clones of Alice are there?), and it doesn’t look as if any of the other characters or actors from the earlier films are returning this time (except the evil cyber-girl. She’s ageless.) And really…does it matter?

We repeated: Milla Jovovich.

She doesn’t appear to have aged a day since Alice first appear fourteen years ago. In fact, it’s will have been five years since we last saw Alice, and here she is again – thank God. Rumor has it that she’s made other movies, done other things over the years, but really all we know is that she’s stayed in great shape and apparently become a crackerjack motorcycle mechanic in her spare time. And even if there isn’t any plot or continuity in between the kick-ass action sequence, there are still a lot of kick-ass action sequences. And we can’t wait.

The world has ended all over again. The zombie have returned. It is, in fact … forgive us … Milla time.

Check it out:

by the way, Milla’s got an active (and very fun) Twitter and Facebook community. Join up at @MillaJovovich, and re-live her recent live Facebook chat here


Taken on its own, the trailer for Viral, new from some of the Paranormal Activity folks, looks like a decent virus-driven-fast-zombie film. Read the comments under the YouTube posting of the trailer (seen almost 10 million times!) and you’ll see something more: those folks just hate it: it’s a rip-off of 28 Days Later or The Strain or The Last of Us or all of the above.  Take a look:


… and yes it is. But seriously, folks: is that a bad thing?

The zombie genre is almost by definition a imitative or anti-imitative niche. To all intents and purposes, and with only rare exceptions (Serpent and teh Rainbow comes to mind), all zombie movies are either derive from or in reaction to the tropes established by George Romero and his peeps way way in the 1950’s. The zombie movies we love (or hate) are either just like them (but better, prettier,m ore modern) or exactly the opposite of them (fast zombies, insect-like zombies, smart zombies in open rebellion, etc. etc.). So calling Viral — or any other zombie flick — “derivative” is kind of beside the point. The question is … does it work? Does it freak you out, scare you, make you jump — whatever it is you were looking for when you walked into the theater or clicked on the icon?

It’s pretty obvious: there’s absolutely nothing shown in that lengthy trailer that we haven’t seen many many times before. But never mind that: is it good? If it is, I’m in. If it’s not … well, the line for disappointing, unscary, uninspired and poorly made zombie flicks forms over tehre to the right, and it’s a long friggin’ line, people.

Let’s hope Viral doesn’t join the queue.

Opens here in the U.S. of A. on July 29.


Exorcist, Geena Davis, FOX Tv, Alfonso Herrera, Adriana Fonseca, Kurt Egyiawan, Vannessa Vasquez, Hannah Kasulka, Angela Ortíz

T-b: Alfonso Herrera, Adriana Fonseca, Kurt Egyiawan, Vannessa Vasquez, Hannah Kasulka, Geena Davis and Angela Ortíz

Our colleague/buddy Angela Ortiz over at SeFijaOnline got a chance to attend a screening of the new FOX series, The Exorcist, and we got to tag along. She even got to talk to living goddess Geena Davis. Listen here …

Amazingly enough, .The Exorcist series seems not to be as bad as a TV version of an ancient horror movie can be (yeah, we’re looking at you, Damian) .We also admit we could be prejudiced because Angie got to meet Geena Davis and there was free food.

In any event … check out the photos, listen to the conversations with Geena and with Alfonso Herrera, who plays a pivotal role as Father Tomas Ortega.

Alfonso Herrera

Alfonso Herrera

Geena Davis

Geena Davis

FOX’ The Exorcist series premieres September 23. See a ton more cool interviews and audio over at SeFijaOnline. We steal from them regularly.


Photos: ©2016 Angela María Ortíz S.


The ShallowsBlake Lively and her spirit-animal Seven Seagull — yeah, deal with it — bring the Evil Shark icon to a whole new generation. And she’s also kind of a badass…

Director Jaume Collet-Serra has handled both horror (House of Wax, The Orphan) and straight action (Liam Neeson’s Run All Night and Non-Stop), and he brings all those tools to bear here. It’s a little — pardon us, it has to be said — shallow, but it’s never presented as anything other than a shameless thriller that brings the monster-fear of Jaws back for a whole generation. The only real flaw is that there are no dwarf transvestites in the entire film. Imagine how good it could have been…

The Shallows stars Óscar Jaenada, and Brett Cullen, too. The film is in theaters now. Check out the trailer:


doctor strangeLet’s get serious: there are, what, a few hundred thousand people — at most — who know anything at all about Dr. Stephen Strange, the Sorcerer Supreme of the Marvel Universe beyond, well, “Dr. Strange.” So nit-picking about how non-canonical and, in some cases, inexplicably weird the the first real trailer for the new film, Dr. Strange, might be is…well, cripplingly geeky.

So in terms of the mass market — the recreationally ignorant who have loved the Marvel movies so far — this is … okay? Very pretty. Great effects. But if there’s a story in here, it’s pretty invisible. Weird to hear Sherlock/Smaug talking in an American accent, and what’s with the old bald lady, but okay. We don’t really know what it all might mean, Mr. Natural, but it could be cool. Maybe. Meh.

For the minority who know there Eye of Agamotto from their Crimson Rings of Cyttorak (look it up!), this whole thing is even more off-putting. Turning the venerated Ancient One, a mail Asian for the last fifty+ years, into a female Anglo — even Tilde Swinton — is not only odd, but entirely unnecessary. It’s clearly his origin story, told wildly out of order, but, so far, that’s all it is. No other characters, no conflict. No Mindless Ones, no Dormammu, no Nightmare, and if Rachel McAdams is supposed to be Clea, how did she get from the Dark Dimension to an ER, and where’s her double-spit-curl silver hair? Come on. Meanwhile that one shot of Eilfor as (supposedly) Baron Mordo means noting. The mutton-chopped bully-wizard of the comics is now just a guy with a sword (a sword) who walks away.

The production design and the special effects are obviously top-drawer, but there’s no really “Strange” there. No floating islands with flames up their butts. The costume’s just a cloak now (I miss the leopard-skin lining). And the “other worlds” they show us include a clockwork corridor I swear we’ve seen before and a real misstep: an M.C. Escher floating cityscape that makes everybody think Inception and nothing else. As for the hinted-at story of self-discovery as opposed to mystic warfare between jalous wizards? Really, folks: who cares. I know all I need to know about cinematic self-discovery. I saw Bill Murray in The Razor’s Edge. Twice.

It’s not all over. The jury — or in the case, the Living Tribunal — is still out. But take a look at the trailer and then join me in a group-chant that sounds remarkably like “meh” …



Yes, it’s a cheap pun, but it’s strangely appropriate this time.  Cub, available now on, is a well-made, smart, sick and scary horror movie from Belgium that far more than you’d expect, and well worth seeking out.

We’ve all see far too many “teens and/or children imperiled in the woods by bloody-mad killers.” So many you’d think that set of tired tropes just can’t be laid out effectively, not even one more time. And yet … here we are. This story of an entirely innocent (or are they?) Scout Troop on a weekend wilderness adventure that goes very, very badly somehow reinvigorates the subgenre, and brings new blood (you should pardon the expression) to a weary world.

Check out this effective, sentimentally wordless trailer and then click on over to Shudder.Com and experience The Cub. You can get a free trial of Shudder, but you may find that its carefully curated collection of classic and often undiscovered films is worth the modest monthly subscription.



This has been out for a while, but the people at College Humor now what they’re doing…and the sad fact of the matter is, we’d go see this movie. It actually looks kind of cool…



batesWe really didn’t expect to like this show. Not even a little. The original Hitchcock film stands on its own (Yes we’re well aware of Robert Bloch’s source material, but come on: Hitchcock’s Psycho is the best-remembered horror film of its generation, for good reason.); the sequels have been notable only in their astonishing mediocrity, even when Anthony Perkins was involved (not his fault!), and the remake with Vince Vaughn…well, it’s best that we never mention the remake with Vince Vaughn, isn’t it?

Vera Farmiga and Freddie Highmore Bates Motel

Vera Farmiga and Freddie Highmore Bates Motel

So when the series idea was first announced, the notion of some kind of ‘prequel’ just sounded…well, awful. So imagine our surprise when the look was great, the writing clever and intriguing, and the performances by everyone, especially the astonishing Freddie Highmore and the impossibly perfect Vera Farmiga were just…right.

It’s been far too long, but finally the Bates Motel is reopening. Expect it at 9:00 pm on A&E on March 7. And if the trailer below is even half-true, we’re in for another darkly wonderful season. 


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